Fair enough.
The book collection in my dorm consists of textbooks which probably won't be touched again until absolutely necessary (except perhaps the history one), a small collection of historical political writings/the IPLE writers (Locke, Rousseau, Machiavelli, Erasmus), selected British novels from that killer of an English class (Dorian Gray, Portrait of the Artist, Brideshead), and my own books.
But, as I told my friend, that shelf is not an entirely accurate depiction of this particular writer's reading habits.
Having spewed out 3.5 novels, I have somewhat of an understanding of what writers typically like to read. Quite generally, the shelves would probably consist of:
| Shakespeare, Pulitzer, Jane Eyre, history books |
| more history, Chinese books, Somerset Maugham books |
| Twilight, Harry Potter, James Patterson, Bill Clinton Romeo & Juliet, Monte Cristo, Narnia |
At least that's what's on my bookshelf at home, and the reasonings behind why they're there (besides for the simple joy of reading).
Most importantly though, after having written so much, reading becomes more than just for enjoyment, or for seeking knowledge. It becomes an exercise in analysis of success and enchantment, a study of the very mystique that captivates human minds through the simple presence of ink on a page.
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